OFFICIAL:
www.TheSuburbsBand.com
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FACEBOOK: www.facebook.com/thesuburbsband
TWITTER:www.twitter.com/thesuburbsband
Written
by Lance Wright, posted by blog admin
The
Suburbs may have never enjoyed the lasting success or exposure earned by near
contemporaries like The Replacements and Husker Du, but their substantial
talents carried them from the local Minneapolis scene to national notice and a
major label deal that produced a number of memorable releases. The band fell
silent in the 1990’s and the first decade of the 21st century before
original members Chan Poling and Huge Klaer resurrected the outfit with
longtime saxophonist Max Ray in tow and some new additions that catapulted them
back into critical and popular notice from their comeback release 2013’s Si
Sauvage. Since that release, The Suburbs have gone a long way towards reminding
audience and music buyers alike why they enjoyed such a strong reputation
during their prime and are often lauded as one of the era’s best acts. Their
latest release, a 10 song offering entitled Hey Muse!, revisits many of the
qualities making them such a successful outfit while exhibiting genuine growth.
Few
songs on this release will better illustrate how far Poling, Klavers, and their
ideas about what this band can do than the title track and album opener. “Hey
Muse!” has some genuinely impressive guitar work never opting to attempt
dominating the song but, instead, adding lighting strikes of inspiration in the
right places to make its musical mark. The lyrical content is particularly
artful and given a further spin by Poling’s obviously engaged vocal. “Lost You
on the Dance Floor” is another of Hey Muse’s marquee numbers and has a much
more throwback feel than many of the other tracks on the release. The
simplified backbeat keeps the song proceeding along a straight line and the mix
of top line melodic instruments over the top of that steady beat is full of
color and snap. Poling varies his singing approach some on this song to
excellent effect and even gives the track an unexpectedly melancholy edge. “Je
Suis Strange” is another of the album’s strong guitar based songs, but the band’s
wont when approaching guitar is to utilize it in a more orchestral fashion than
other acts. Its presence isn’t omni-present. The slashing six string fills give
this song brief, controlled blasts of fire that make it all the more memorable.
“Unified
Force” is another hard-hitting track making great use of the band’s musical
arsenal. There’s some retro feel propelling this song forward, but it begins
life with a strong brass presence before settling into a sleek, streamlined
groove with much of the same straight-ahead percussion defining the earlier
track “Lost You on the Dance Floor”. Guitar and keyboards are critical to
success of the late album track “Cupid” and the loose, confident feel they
conjure musically makes this an immensely likeable tune. Hey Muse! is a worthy
addition to The Suburbs’ discography and shows their continuing commitment to
producing compelling musical works that stretch the boundaries of their
capabilities while still embracing the band’s long history.
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