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Written
by Lance Wright, posted by blog admin
The
release of Dru Cutler’s two song Hometown surprisingly, despite its brevity, solidifies
his standing as one of the most promising singer/songwriter musicians working
on the indie scene today. He, moreover, shows off the potential to be an important
crossover artist – this duo of songs, particularly the title cut, sport a level
of melodic excellence and accessibility accentuating his talent for
communicating with a broad based audience without ever sacrificing his
individuality in an effort to appeal to listeners. The production on both songs
is first class and never skimps on detail in favor of sonic muscle. Cutler’s
presentation is perfectly balanced and stresses his appealing vocals, but never
at the expense of the players. Instead, audiences are treated to two fully
realized pieces breathing with color and naturalness certain to attract a lot
of attention.
The
title track is, easily, the most fully realized and mainstream effort of the
two. The lyrically minded piano playing
and Cutler’s vocals are the melodic key to the song, but there’s a generous
amount of acoustic guitar and forceful percussion aiding the setting of a tone.
There’s some light harmony vocals coming in on the chorus, but the musical
elements of the song are strengthened by the merits of the song’s lyrical
content. Cutler’s depiction of the sights, sounds, and effects of growing up.
There is a slightly melancholy edge permeating his look back, but there’s an
equal amount of affection coming through in his voice. He never goes in for
cheap pandering – the song’s phrasing maintains a steady vision of how to
convey the song’s narrative without ever allowing things to become too
theatrical. The chorus has understated power, as well, that Cutler pushes in
just the right way.
“Infinite
Moons” comes from a much different place. There’s certainly a more overtly
artsy edge on the song, but there’s the same ample attention to melody here we
heard in the first track. The song never runs on long, but Cutler’s writing
incorporates a number of different sections seamlessly interlocking into a
greater whole. It begins with acoustic guitar, but the electric guitar plays an
important role here as well. There’s a nicely dissonant edge to some of the
guitar lines that contrasts nicely with the song’s overall ambiance and the
same clarity defining his earlier vocal makes its presence felt here as well.
The lyrical content is a little more repetitive than the title song, but the repetition
matches up nicely with the arrangement. Hometown is an impressive effort
despite its shortness and Dru Cutler’s effortless diverse musicality comes
through on every second of each song. His future work promises to be immensely
powerful based on these songs.
Grade:
A-
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