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Written
by Pamela Bellmore, posted by blog admin
J.Briozo’s
debut release, Deep in the Waves, is the first solo album from Swallows’
vocalist Jeff Crandall and glitters with an accessible and deceptively
sophisticated sound quite unlike anything else you’ll hear in recent memory. It’s
indicative of Crandall’s prodigious creativity that, in the midst of writing
and recording a third studio release with Swallows, Crandall still found the
time and creative energy to write and record an entire album concurrently with
a distinctly different melodic and sonic signature than his work with Swallows.
It’s doubly impressive that he pulls this off while still working with some of
his band mates and demonstrates a substantive musical ventriloquism few of his
contemporaries or peers readily share. Deep in the Waves is an immensely
rewarding and gratifying musical experience capable of resonating with
listeners far after the final songs has ended.
The
lyrical mood dominating Deep in the Waves is poetic without ever risking
pretension and remains accessible throughout. One of the best efforts in this
regard and a truly distinguished opener, “Blind” is largely pushed forward by
tasteful keyboard work and drumming while the guitar work takes on a
compositional role. Crandall’s phrasing further enhances his already fine
lyrics. The guitar takes on much more of a front and center role with the
second song “Deep in the Waves” and the title song sets a tone that sustains
much of the album – singer/songwriter themed work built around artful vocals
and acoustic guitar. There are some exceptions to this formula, however,
scattered throughout the release. “Spinning Out”, “Las Cruces”, and the album’s
final track “Sun Sun True” employ guitar heroics to spectacular ends with a
warm, deeply emotive sound and lead flourishes that are never thrown into the
mix just for the sake of giving the guitarist a moment in the spotlight. The
first and last song of the aforementioned trio are the best efforts in this
vein; “Spinning Out” is memorable for its muscular yet appealingly ragged six
string explosiveness while “Sun Sun True” has a kind of wide open, even joyful
jamming quality quite unique among the album’s thirteen tunes.
“Rain
Song” is another key track illustrating the album’s diversity thanks to the
inclusion of strings, but the added instrumentation never imposes itself on the
arrangement. “Catalonia”, on the other hand, mixes Crandall’s folky
inclinations with his rockier edge to great effect and even has a cinematic
touch that’s lacking in the other tunes. “Camera Obscura” is another fine
example of his ever growing songwriting acumen and the seeming mystery
surrounding the track, along with its restrained sense of melancholy, never
prevents listeners from connecting with its sound and message. J.Briozo opens
up a lot of new doors for Jeff Crandall and never pretends to be a substitute
or improvement of some sort on his work with Swallows, but it certainly demands
that the audience recognize we were just hearing a fraction of his potential
until now. Let’s hope he continues to pursue further releases in this vein
while continuing to help grow Swallows’ reputation and creative power.
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