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Written
by David Shouse, posted by blog admin
Josh
Birdsong’s sophomore EP Where the Light Bends builds on the resounding success
of his debut Simple Geometry and takes his performances and songwriting a step
further. Birdsong is clearly a songwriter, musician, and vocalist who invests
every ounce of his heart into his material without ever taking shortcuts or
pandering to the lowest common denominator. Instead, Birdsong has an effect on
listeners through artistry and intimacy working in tandem and the results are
impressive to hear. The six song EP covers a fair amount of sonic ground,
uncommon for such a comparatively brief release, and illustrates the full
breadth of talent that’s attracted awards and led to his music being featured
in programming on MTV, E! Network, Discovery Channel, and ESPN, among others.
Where the Light Bends is an enormously gratifying release that shows terrific
bravery from first song to last and there’s not a single identifiable lull
throughout the entire release.
It
opens up with great energy on the track “Complex Context”. While Birdsong will
later flirt with this sort of energy on the release, no song on Where the Light
Bends grabs the attention with the physicality we hear here. It begins,
however, in a more scattered and atmospheric way before the drumming comes in
to give it a much more definite shape. There’s a steady escalation of guitar
and percussion on the track “The Sound Beneath the Static” that carefully
modulates itself and Birdsong’s voice punctuates it nicely with his melodic
flair. His sinewy guitar lines, urgent despite the electronic effects applied
to his tone, are another highlight of an overall excellent track and his
lyrical content rates among the EP’s best. There’s a chiming pop feel to the
song “Cloud 8” that, naturally, provides near perfect accompaniment to the
open-hearted feel of his voice. This is a much more nebulous, atmospheric track
than the first two, but it retains enough similarities to make it feel like
part of the same overall design.
The
EP’s longest track “Too Much to Hold” has the same quasi-nebulous focus on
atmospherics over more conventional moods and, running almost five and a half
minutes, has a slower track of development than the earlier numbers. The
remarkably open, generous qualities of Birdsong’s voice are vividly highlighted
with this song and it relies much more on synth textures than the preceding
songs. The guitar regains a measure of prominence with the song “Arctic Desert”
and Birdsong matches its muscle with a more dramatically physical vocal. The
song runs nearly as long as “Too Much to Hold”, but the distinctly different
tack it takes sharply distinguishes it. The ambient touches on the EP’s title
and final track add a degree of artfulness to the performance that never risks
self-indulgence and the guitar work keeps it tethered to earth rather than
allowing the song to waft away. It’s an appropriately hazy and poetic way to
end an EP that makes big statements with a decidedly low key air. Josh Birdsong’s
Where the Light Bends is a major step forward from his exceptional debut.
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