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Written
by Mike Yoder, posted by blog admin
Minneapolis
based Austin Carson can never be accused of lacking ambition. Working under
the moniker YYY, his fourteen song release A Tribute to the Beach Boys’ Pet
Sounds contends as one of the best recordings of its ilk you’re likely to ever
hear. It is scarcely possible to imagine a more evenly balanced presentation of
faithful reinterpretation working alongside unique and individually distinctive
embellishments. It is fortunate, for listeners, that Carson isn’t happy with
just approximating the original Beach Boys material. It saves the release from
matching standards impossible to meet and, instead, the personal twists he
brings to these familiar tunes makes them more his own than pure cover. It has
often been quoted that a work of art is never truly finished, only abandoned,
and the greatest songs produced by the species are infinitely malleable and
more universal than we realize. YYY captures that sort of magic with A Tribute
to the Beach Boys’ Pet Sounds.
“Wouldn’t
It Be Nice?” is the first indication that this isn’t your average tribute. He
does a superb job of understanding the importance of vocals in these songs and “Wouldn’t
It Be Nice?”, naturally, relies on spot on singing more than most of the songs
on Pet Sounds. It’s also one of the most immediately recognizable moments from
the Beach Boys classic and illustrates a pattern in his approach to the album’s
marquee numbers. Later iconic moments like “Sloop John B”, “God Only Knows”, “Caroline,
No” and “Good Vibrations” all pull off an artful balance between mesmerizing
re-invention and faithful recreation. He wisely emphasizes certain standard
elements in each of the aforementioned song as if nodding to the original
version while allowing him the latitude to extemporize musically and providing
an environment where his guest musicians and singers can flourish. “God Only
Knows” and “Good Vibrations” are the most successful examples in this vein and
stand a chance of pleasing even the most hardcore Brian Wilson devotee.
The
secondary numbers on Pet Sounds is where Carson’s imagination often runs
wildest. Bringing in deeply affecting female vocalists to offer a notably
different perspective on traditionally male dominated material makes for some
interesting listening while he shows a wont for experimentation on those songs
that embraces the originals while bringing new moods and atmospherics to bear. The tracks among this group are the uniquely
spun “Let’s Go Away for Awhile”, “Hang On to Your Ego”, and “I Just Wasn’t Made
for These Times”. The last song in that list rates as one of the sleeper gems
on this album that shouldn’t pass by unheard or unnoticed, especially due to
the tour de force vocal from Devata Daun. YYY is remarkable, as well, for his
insistence on a music first approach that’s perfectly illustrated by his ease
with never occupying the performing spotlight for long. He’s the guiding
artistic force behind this release, perhaps, but the contributions he gets from
every quarter immeasurably enhance even the more obscure numbers. YYY’s A
Tribute to the Beach Boys’ Pet Sounds outstrips similarly themed efforts from
his peers and contemporaries alike and whets the appetite for any future
releases.
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